Gomaa Abdel Moniem
Al-Darb al-Ahmar (The Red Road) in Fatimid Cairo retains much of its past
wealth and historical atmosphere.
Al-Darb al-Asfar (The Yellow Road) area, where the House of al-Seheimi
(built in 1796) is a wonderful example of Islamic architecture, and al-Darb
al-Ahmar are actually connected.
They form part of the main road that runs from the Northern Gates (Bab
al-Nasr and Bab al-Futuh) down towards the Citadel, meeting al-Darb al-Ahmar
at the Southern Gate, Bab Zuweila.
The road, al-Mu'izz Street, named after the conquering Fatimid Caliph, was
once the main thoroughfare in Islamic Cairo.
Over the years, the area has been developed and divided into sections, each
characterised by different crafts or markets, which they were named after.
In fact, al-Darb al-Ahmar Street and the Mu'ayyed Mosque next to Bab Zuweila
have changed little over the centuries.
The neighbourhood of al-Darb al-Ahmar is a maze of narrow, twisting
alleyways lined with splendid mosques and medieval facades. This quarter
became a fashionable residential area in the 14th century, with Al-Nasser
Mohamed developing the Citadel area.
It contains several interesting mosques and monuments. The alleys carry
different names nowadays, starting at the southern end near the Citadel with
Bab al-Wazir Street, then Sharia al-Tabbana.
"Sharia al-Tabbana was at the foot of the Al-Moqattam Tabba [the Moqattam
Hills] — It was later renamed al-Darb al-Ahmar.
"Further west, near the massive 10th century Bab Zuweila, the area is named
Suq al-Silah Street ['Weapons Market' Street]," says Hajj Said Azoz, aged
65.
"The street is hive of activity, with constant traffic jams, except on
Sundays, when the traders have a day off."
At the end of Suq al-Silah Street, you find several ancient mosques and
monuments, such as the Mahmoud el-Kurdi Mosque, built in 1395.
This mosque, with its impressive entrance, was recently restored and
reopened to the public.
All sorts for sale
If you go north along Suq al-Silah Street from Bab Zuweila, you'll come
across the Saddle-makers' Market, known as Suq al-Surugiyyiah, where you can
buy all kinds of leatherwear.
Carry on down the street and you come across little shops selling drums,
belly dancing costumes, wooden tables and chairs, embroidered clothes and
many other simple products, such as old Oriental teapots and cups.
This district is also renowned for its sheesha (water-pipes) that come in
every shape and size, made of beautifully decorated and coloured
glass.
Basketry is also one of the trades here. You find baskets, tables, chairs
and mats, made from palm fronds and reeds.
Another main attraction is the Attarine district, where you can purchase all
manner of weird and wonderful herbs and spices for cooking or for medical
purposes. It's also the place to pick up a bottle or two of hair dye, if
your wife keeps on reminding you that you're beginning to go grey at the
temples.
But there's far more: perfumes, carpets, brass and copperware, glass and
ceramics are piled up outside tiny workshops, making it virtually impossible
for even a bicycle to continue any further down the alley.
In holidays and on feast days, the area is more chaotic, with everyone in
party mood, flocking to the market, surrounded by ancient Islamic buildings,
till the hours of the morning.
A haven of peace
Darb al-Labana is located close to the Citadel. It is basically a narrow
alley surrounded by splendid buildings. It is just below the Citadel, with
its majestic Mohamed Ali Mosque.
Ironically, it's a quiet haven of peace in this busy area of the Capital,
with the surrounding colossal buildings
Keeping noise to a minimum
The most famous building in Darb al-Labana is Beit al-Fann or Dar
al-Malatili — the House of Art — where the legendary Egyptian
architect Hassan Fathi lived for many years.
Its location is unique, with its unrivalled views of the Citadel, Mohamed
Ali Street and countless mosques that have stood here proudly for
centuries.
To reach Beit al-Fann, you have to be in an energetic mood, climbing
countless steps, as it's built on a hill. Once you've made it to the top and
stopped panting, you are struck by the calm and the feeling of
'ancientness'.
Just a stone's throw away from Beit al-Fann, there is another monumental
beit. Although it's only a ruin these days, it was once a tikiya (shelter)
for poor strangers, having been built by Al-Naser bin Mohamed Qala'oun in
the 13 century.
Darb al-Labana alley had its own door, which allowed its inhabitants a bit
of security. Nothing remains of it today.
"This alley was named after a family that sold dairy products. The family
were very rich, providing half of Cairo with milk, butter and cheese. They
owned thousands of cows. Those were the days when the population was less
than 8 million," says Hajj Sayyed Hassan, aged 80.
"I'm here to draw the facade of Beit al-Fann, as an example of 18th century
architecture in Islamic Cairo for my dissertation," says Hoda Salem, an
undergraduate in the Faculty of Applied Arts.
Two majestic mosques
A few steps away stands the majestic Al-Rifai Mosque, where King Farouk and
his brother-in-law, the Shah of Iran, rest in peace.
It looks onto straight boulevards and open squares, reflecting European city
planning introduced by Muhamad Ali and his successors, who sought to make
Egypt's traditional society more cosmopolitan.
Al-Rifai Mosque is remarkable for its four fully articulated facades, as
well as its highly decorated, Mamluk-style dome and minaret. Although built
long after the Mamluks, its style, in terms of materials, colours and
details, is strongly influenced by the adjacent and equally majestic Mosque
of Sultan Hassan.
Sultan Hassan is perhaps Cairo's — or even Egypt's — finest
mosque. The building was constructed for Sultan Hassan bin Mohamed bin
Qala'oun in AD 1256 as a mosque and religious school.
Externally, it is magnificent, holding its own with its impressive cornice
and the protruding vertical fluting, even though it stands in the shadows of
the massive Citadel. As you enter this place of worship, you get an
impression of height, especially from the towering doors decorated in the
Mamluk fashion.
"We've come from Alexandria to tour Islamic Cairo and admire our ancestors'
legacy," says Sameh al-Sabagh, a sophomore in the Faculty of Archaeology,
Alexandria University, who's standing outside with about 10 of his
classmates.
"I want to enrol in the Faculty of Fine Arts next year. I come here once a
week to practise drawing Islamic monuments. My father is an architect and he
recommended I draw Sultan Hassan Mosque," explains Khaled Ahmed, a pupil at
the nearby Khalifa Secondary School.
Visiting Islamic Cairo is like drinking water from the Nile: you'll
definitely be back.