Egyptology news from around the world.
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Egyptian queen Cleopatra used her hairstyles in calculated ways to enhance her power and fame, according to a book published recently by a Yale art history and classics professor.
Statues, coins and other existing depictions of the queen suggest Cleopatra (69-30 B.C.) wore at least three hairstyles, according to Diana Kleiner. The first, a "travelling" do that mimicked the hair of a Macedonian Greek queen, involved sectioning the hair into curls, which were then often pulled away from the face and gathered into a bun at the back.
The next was a coiffure resembling a melon, and the third was the regal Cleopatra in her royal Egyptian headdress, complete with a rearing cobra made of precious metal.
Cleopatra did not invent any of these styles, but she used them to her advantage, Kleiner indicated in her book "
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will be presenting on Tour Egypt over the coming year.
This year we celebrate 10 years of serving the tourist who travel to
Egypt, and the tourist industry in Egypt, actually a rather long haul for
almost any web site. Tour Egypt dates back to the very early days of the
commercial internet itself, when the Ministry of Tourism and the Egyptian
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We attempted the faithful reproduction of the brewing processes depicted
on the mural paintings in the tombs of Niankhkhnum and Khnumhotep of the Old
Kingdom and in the tomb of Kenamun of the New Kingdom of ancient Egypt using
a common pathway. After multiple reproductions, we succeeded in brewing
stable beer using both of the above processes. Surprisingly, the two
processes were proven to be completely different. We also attempted to
analyze the manufacturing processes depicted in the Kaemraef mural painting,
as well as the Meketre models, of the Middle Kingdom. It was evident that
the manufacturing process of the Kaemref mural painting belonged to the
Niankhkhnum type, while the Meketre models fell under the Kenamun process.
These results indicate that two ancient Egyptian beer-manufacturing
processes coexisted for a long period of time in Upper and Lower
Egypt...
The Giza Plateau was a hive of activity yesterday, reports Nevine
El-Aref. In addition to the usual tourists roaming around the
monuments, a group of Egyptian workmen, together with restorers and
Egyptologists, were busy at work at the foot of the Sphinx, installing iron
scaffolding around the body of the statue barely eight years after the
decade-long project to restore it ended in 1998.
"The sphinx will always have to be looked after," Zahi Hawass, secretary-
general of the Supreme Council of Antiquities (SCA), told Al-Ahram Weekly.
He explained that conservation work this time will include the re-casing of
sections affected by air pollution and erosion as well as consolidating weak
points in the statue's chest and neck...