Medieval and Renaissance Madonnas will no longer risk their vibrant
blue mantels turning into yellowish grey robes, according to U.S.
researchers who have discovered why natural ultramarine blue sometimes
fades in frescoes.
Known as "ultramarine sickness," the irreversible form of
discoloration has been observed in frescoes at the Church of Saint
Augustine in San Gimigniano, near Siena, and in the Basilica of
Assisi.
"Our studies explain for the first time the process of fading in
ultramarines and may lead to the design of proper art conservation
treatments and the development of more-permanent pigments..."
The use of this colour was usually reserved to artworks of great
importance, such as the funeral mask of Tutankhamen. The pigment found
its most extensive use in 14th and 15th century Italian paintings, and
was often reserved for the robes and mantels of Christ and the Virgin
Mary...